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Six children who have all just arrived somewhere, sequenced by how much of the story they can see. It begins on a single snowy afternoon, moves through a first day at school and a year of missing home, then to a family waiting on papers, a father arriving late, and finally a whole life told from the far end. Read in order, each book widens the frame the one before it left.
What does someone have to give up, and what do they get to keep?
This curated reading sequence is not itself a region-specific standards claim. Review the documentary status on any linked lesson plan.
The sequence

A Thousand White Butterflies
Book ID 7956Isabella has just come from Colombia, her first day of school is cancelled by snow, and she is lonely — until the snow itself becomes the way she meets someone. The smallest frame in the set: one day, one feeling, one friend.

From Far Away
Book ID 7081Sao San fled a war, and at her new school she cannot understand English and is frightened by a paper skeleton on the wall. Four minutes, told in her own voice, and it names what the first book only implies — that she came from something, not just to something.

Dear Baobab
Book ID 7767Maiko misses the baobab from his village and adopts a small spruce outside his new house to talk to. The frame widens from an afternoon to a long stretch of homesickness, and the book is honest that another child was cruel to him.

Hannah is My Name
Book ID 4524Nally becomes Hannah in San Francisco while her family works, looks for somewhere to live, and waits on permission to stay. The first book here where the class sees that the child's difficulty sits inside a much larger one.

Salma Makes a Home
Book ID 8419Salma's Baba finally reaches Vancouver after immigration delays, and she panics that he misses Damascus too much to love the new place. The set's turn: the hard part is not arriving, it is holding two homes at once.

Maurice and His Dictionary: A True Story
Book ID 7711The true story of Maurice Fajgenbaum, who survives war, separation and displacement carrying a dictionary, and eventually builds a life in Canada. Twenty-one minutes, a graphic novel, and the only book here that shows how the story ends.
Also in the collection




Do not start with book 6. Maurice and His Dictionary is the strongest book here and it is the wrong first book — it shows a whole life resolving, and a class that meets it first will read the other five as small. Meet the afternoon first and the life last.
This set carries real weight: war, separation, and a child being renamed. Books 1 and 2 are five and four minutes, and either can be the whole of a session if the room needs to stop there.